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Bali As A Living Museum

As a world tourist destination, Bali Island retains a few mysteries. Apart from having glamorous nature, tradition and culture of the Balinese community, Bali always amazes the tourists and it makes it hard for them to understand the facts. Simply look at the phenomena coming in the day-to-day life of the Balinese when you make a visit here.
You will find many sacred places as the Balinese have confidence in that places inhabited by unseen beings that will extend safeguarding and safety to the dwellers around the place. There are also wells / water-springs, believed to have the potential of curing some diseases and soothing the mind. Or many animals believed of being the pet of gods so they should be treated with care, such as swans and cows. In the meantime, there are also sacred trees like the banyan tree, sandalwood, ‘pule’ (Alstonia scholaris), ‘majegau’ (Aquilaria mallacensisllam) and so on. Beside of that, certain other objects are also believed to have supernatural power so they are maintained with great care and respect like "kris" (dagger), spear, stick or gemstones.

THK and Living Museum
Up to these days, the Balinese remain confident that any existing objects on this universe have power (soul) that can have an effect on the human life. All objects, plants, animals and other living beings have their own function; just like series of chains that complete one another so it can realize a perfect life. On that account, many people having supernatural power (occultist) can see Bali as an ever-shining island. This can only happen due to harmonious relationship of visible and invisible life.
This harmonious life pattern is then implemented into a life concept called Tri Hita Karana (THK), namely harmonious life with God, fellow humans and the environment. The THK concept then makes Bali a living island forever and draws some nicknames given by foreigners like ‘Bali as living laboratory’ and ‘Bali as living museum’. In addition, it also bears some other nicknames like ‘the Island of the Gods’, ‘Island of A Thousand Temples’ or ‘the Last Paradise’ indicating that Bali is a special island compared to others around the globe.
Some information on the specialty and uniqueness of Bali can be experienced in person through current package tour on offer or found at museums spreading out in the regencies and city across Bali. Mysterious and special things in Bali can also be explored at museums like the Museum of Bali occurring within the heart of Denpasar, Archaeological Museum at Jembrana Regency, Subak Museum (Tabanan) and Gedong Kertya (Buleleng). While, those pertaining to arts can be seen at the Lata Mahosadhi Museum at the Indonesian Institute of Arts Denpasar, Neka Museum, Ratna Wartha Museum, Rudana Museum, Agung Rai Museum of Arts (ARMA) or Pendet Museum in Ubud, Gunarsa Museum (Klungkung), Fingerprint Museum (Denpasar), Le Mayeur Museum (Sanur) and so forth.

Cultural Tourism
Such cultural uniqueness and enchanting nature should be put into cultural heritage conservation by considering that the cultural heritage comprises the following components: (1) A biotic (mountain, river, city, village, residential building and so forth); (2) Biotic (flora and fauna); (3) Socio-culture (art, customs, food, tradition, small-scale industry, language and so forth). Accordingly, the uniqueness and natural charm of Bali will not disappear along the ages.
Conservation in this case refers to the Burra Charter (Australia, 1981) namely maintaining as its original condition by preventing or slowing down the damage. Conservation here, except for natural resources conservation, is also performed in terms of economic aspect particularly the sustainability of cultural tourism as developed in Bali. Existence of museum and nature as tourist object can be relied on to improve the welfare of local community. Similarly, it meets the objective of cultural conservation (Semadi Astra, 2006) that originally just paid attention to the allure, but today it has been undertaken through holistic approach based on participation, economic analysis and creation of business activity as well as effectively drawing visitors to come. So does the Law of the RI No. 5 Year 1992 pertaining to the Articles of Culture Reserve that in its implementation becomes aware of the physical environment associated with the necessity of wider community. From here, it’s expected to be able to render advantages, increase the income, improve the quality of life and create a friendly environment.
As a matter of fact, the objective of cultural heritage conservation has been in keeping with the paradigm of tourism development by applying the community-based approach, sustainable tourism and community-based tourism. By this new paradigm, the community is empowered in order that they can actively take part right from the very beginning phase and by that, the bad impact of tourism towards physical and social environment can be avoided. Tourism, as stated by the Secretary General of World Tourism Organization (WTO) Francesco Frangiali is one of the good soul mates of the environment. It means that tourism, other than taking part in determining the income of a country, also plays the role as a union of organization both national and international in the endeavour to safeguard the environment and nature preservation.

Living Museum
To know that the character of the Balinese is religious, one of the methods is that you can find at pura or temple where their religious activity takes place in larger scale. Pura (Balinese sanctum) as living museum of the Balinese has supporting devotees to take care, perform ritual and maintain its sustainability. The word pura is derived from Sanskrit ‘pur’ meaning castle. It is also called kahyangan representing the abode of gods or deva. Hyang equals to pinnacle. While ‘that shining’ equals to deva. Balinese people believe that high places or pinnacles emanating light, is the abode of deities and God. The process of making a "pura" (temple) is stated within the palmyra manuscript Sang Hyang Kamahayanikan, where a temple is surrounded by compounded walls (castle) as a specific sign and also serving to maintain the sacredness of the temple later. According to the belief of Balinese people, founding a temple along with its orders and accompanying ritual system comprises one of the implementations of Deva Yajna (holy sacrifice to God). In the palmyra manuscript Tatwaning Kusuma it is described that one who would like to establish a complete sanctum with its ritual procession will obtain bliss in his life. Temples spreading out across the nooks and crannies of Bali serves as sturdy castle safeguarding the security of Balinese people against several hazards.
Not everyone can enter the temple compound at any time. There are some norms and local traditions that should be respected and followed by all visitors including you, foreign tourists. For instance, every visitor should put on a Balinese costume. Women during their monthly period, one in temporary impurity (due to a death of family’s member), one with physical defect or certain contagious disease are not permitted to enter the temple. Meanwhile, in the innermost courtyard (jeroan), household mothers are forbidden to breastfeed their baby and everyone should implement the tri kaya parisudha (three sacred behaviour comprising the thoughts, words and deeds).
For further details on Bali Island as living museum, your guide will give more information during your journey in accordance with local traditions as each village has different traditions, way of life and norms. Probably, there is a slight distinction on the function and significance of a place or thing in compliance with its value and norm of life valid at that locality and they should not be contrasted. That’s the pure richness of Balinese culture, diversity in togetherness. Have a nice holiday! (Ketut Sumadi—Contributor of Bali Travel News)



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