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Karangasem,
On the Wallace Line
Historical
Museum of Karangasem Kingdom
Relics belonging to the king of Karangasem
are now well retained in the royal museum
of Karangasem. They are spread out at the
Puri Agung and Puri Gede, right in the heart
of the city of Amlapura. Some parts of the
museum collections are hundreds of kris
daggers belonging to Puri Gede that are
cleansed and given an oblation on the Tumpek
Landep day (once in 6 months).
Owner
of the Puri Gede, Anak Agung Bagus Ngurah
Agung, looks so favoured to refurbish his
palace. The palace, inherited from his predecessor,
is indeed unique and grandiose. Being refurbished,
the palace is opened to public, including
visitors who would like to see one of the
relics of Karangasem Kingdom originating
in the sixteenth to twentieth century. So
is the Puri Agung Karangasem. It has been
opened as tourist object in the Amlapura
city.
Other than royal buildings, there are also
other tourist objects made into a single
package, namely the Tirtagangga Park, the
newly refurbished Soekasada Oejoeng Park
as well as a number of other palaces in
the city of Amlapura. The Puri Agung Karangasem
has a number of distinctive buildings such
as that made in the combination of Chinese
and Dutch (European) architectural style.
Here lies a building named Amsterdam (or
maskerdam in Balinese) and the London Pavilion.
Some photographs of the king and his royal
guests at that time remain to be kept properly
in this palatial complex.
Apart from refurbishing the palace, Agung
also founded a small-scale museum. It is
called so because, as an enterpriser living
and spending more time in Denpasar together
with his family, he lacks time to manage
his museum. This museum retains some momentous
palm manuscript containing various kinds
of disciplines including culture, religion
and literature and a number of royal relics.
The latter comprises the weapon belonging
to the king and his soldiers of ancient
times. Those weapons consisting of kris
/ dagger, spear and bayonet are believed
to have magical power and only certain people
are entrusted to take care of them.
Other
articles kept in this museum are home appliances
such as the box of chewing betel, table
and chair, photographs as well as paintings.
These days, Agung tries hard to collect
the articles considered to become the royal
relics of Karangasem that remain in good
condition at subject’s home or collected
by other parties. "We make an effort
to find out and collect the relics of our
ancestors in accordance with our capacity,"
he says.
Another royal building called elephant pavilion
is lent to the Supervisory Assembly of Customary
Institution of Karangasem as its secretariat
office. Besides, the royal palace is also
frequently used to organize a seminar, meeting
and performance of Balinese art and culture
of typically Karangasem. By and large, it
is used by the surrounding community of
the Puri Gede.
Agung has an inspiration to bring back the
function of royal palace as what it had
in the past, namely as the centre of social
activities together with the community,
religious, art and cultural maintenance.
He also intends to add his collection with
gamelan instruments and use it for the exercise
of art and culture like the art of dance
and playing gamelan. (BTN/budana)
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